Quiénes crean Las Malnacidas

Conoce al colectivo que convierte el legado lorquiano en un thriller escénico cargado de fe, culpa y deseo en tensión constante.

Equipo artístico

Estrella García Pancho

Directora y dramaturga

Ana Garzo

«Matilde» y Equipo de Marketing

An antique handheld mirror with a cracked, oval glass and an intricately engraved silver frame rests on a lace-covered vanity table. The lace is slightly yellowed, and scattered around are a black rosary, a closed fan with dark floral patterns, and a single wilted white carnation. The room is small, with textured, off-white walls and a narrow window partially obscured by heavy, dark curtains. Late afternoon light filters in, creating a moody chiaroscuro effect, highlighting the crack in the mirror and plunging the edges into soft shadow. Photographic realism, shot from a slightly elevated angle, with a somber, introspective atmosphere evoking fractured identities and suffocating faith.

Teresa Girón

«Madre»

A long, rectangular wooden dining table is set with mismatched porcelain plates, simple cutlery, and a plain, stained tablecloth in an austere, rural dining room. At the center, an old, metal alarm clock stopped at a precise, ominous hour replaces the usual centerpiece. Behind it, the wall is bare except for a single small crucifix casting a thin shadow. A single bare bulb hangs low above the table, casting harsh, directional light that creates deep, angular shadows along the table’s edge and over the stopped clock. Photographic realism, eye-level composition with leading lines drawing the eye to the clock, generating a tense, ritualistic atmosphere of time suspended and destiny closing in.

Irene Aguilocho

«Asunción»

Lucía Jiménez

«Catalina»

A weathered, wrought-iron balcony railing overlooking a sun-bleached, empty courtyard, its bars forming an unforgiving grid. The stone floor of the balcony shows hairline cracks and scattered dry leaves, while beyond, high white walls encircle the courtyard, eliminating any view of the outside world. Midday light is harsh and unforgiving, flattening colors and casting hard, prison-like shadows of the bars onto the floor. Photographic realism, shot from a low angle close to the railing so the iron bars dominate the foreground, with the courtyard blurred slightly in the background. The mood is oppressive and watchful, evoking surveillance, enclosure, and the impossibility of escape in this reimagined, theatrical universe.

Isabel M. Rodríguez

«Azucena»

A heavy, iron keyring holding several old-fashioned, rusted keys lies on a scarred wooden table, its surface darkened by age and faint water rings. Behind it, slightly out of focus, looms a thick wooden door reinforced with vertical metal bars and a small, shuttered peephole, set into a rough plaster wall stained by time. A sliver of cold, bluish light seeps from beneath the door, contrasting with the warm, low lamp light illuminating the keys and casting intricate, elongated shadows. Photographic realism, shallow depth of field, close-up composition, creating a claustrophobic, suspenseful mood that suggests secrets, confinement, and forbidden spaces within a theatrical world.

Agüi Locía

«Pepa»

Marta Toledo

«Francisca»

Ángeles Rojas

«Alter Ego»